Archive for July, 2009

14
Jul
09

The Brothers Bloom (2009)

The Brothers BloomThe director of THE BROTHERS BLOOM is what initially attracted me to this film. Rian Johnson created BRICK back in 2005 which was a film noir favorite of mine.  He has returned (with a bit more of a budget this time) to create a fun heist movie with Adrian Brody and Mark Ruffalo as sibling con-men.  They hatch a scheme to swindle a billion dollar heiress (Rachel Weisz) yet through the course of there adventure, Brody inevitably falls in love with her.  However, they all have crafted a web of lies that has become too tangled to get out easily.  We are left wondering what is true and what is false just as much as the characters. 

What is good about it:  It is fun.  The art direction and costuming present us with a world that is closer to fairytale than real life.  There is always a hint that we should not take the story too seriously, just as we should never truly trust what Ruffalo says.  The story is character driven and we are intent on finding out what choices will lead them to happiness.  Adrian Brody has the unique ability to be so sympathetic yet never rolling over into cliche.  And Rachel Weisz is quirky, fun, and she exercises impressive comedic chops.  

What’s not so good:  Like most con-movies, it can be confusing.  I was a little lost on where the plot was leading at times, but luckily the characters were interesting enough that I didn’t mind.  I think the film avoided cliche so much that it could have actually benefited from a car chase or two.  Just something to help us spring board into the next step of the plot with more energy.  The film meandered about but ultimately the story is not about the heist, but about the brothers (and the title is still confusing to me…their names are Steve and Bloom.  So perhaps it is meant to say the brothers “bloom”). 

This is a great movie to see with friends or on a date.  The comedy is hilarious and the relationships are touching.  You want to go wherever the movie takes you.  A solid “B+”.

14
Jul
09

Moon (2009)

Moon--Sam RockwellMost films that are released in the summer months are box office dynamite–in that they draw in audiences.  After watching a few of what Hollywood had to offer, I felt a sharp ache in my heart for something deeper.  I realized that ultimately the spectacle of Wolverine, Terminator, and Transformers was a drug that provided little sustenance.  I therefore went to the indie theater, and my money now goes toward tickets for the underground favorites.  I feel like I am giving my lunch money to a small, intelligent dork with a lot of potential instead of the flashy, popular class bully that everyone ultimately dislikes.  So may I introduce you to MOON.  Sam Bell (Sam Rockwell) is completing his 3 year mission on the moon mining for precious minerals to sustain life on Earth.  He is alone, aside from his computer companion GERTY (in the spirit of HAL 9000–and voiced by Kevin Spacey).  All he wants is to return home to his wife and child, but his mind is finally reaching a breaking point on the empty lunar surface.  Then something happens (as it always does in science fiction).  Sam is injured and is rescued by…himself.

What is good about it:  I saw the trailer and immediately looked to find where the nearest theater would be playing it.  It was a brilliant movie and completely absorbing.  Sam Rockwell is–as always–dynamite and fascinating to watch.  The film was shot with a budget of $5 million, using models and in camera effects.  The result is authentic and organic, and I believe more films would do well to follow the “less is more” approach to effects work.  The story is not terribly complex, and it leaves room for interpretation which I believe will reach movie-goers who do not directly gravitate to sci-fi.  I truly enjoyed the experience.

What is not so good:  It is a slow film.  Let’s be honest, we have one actor and one location–so anyone expecting a fast action should keep away.  It is cerebral and introspective which again is a hard sell for audiences.  It demands something more from a viewer that requires us to engage the material, and so it won’t always work for everyone.  I felt the explanation for Sam’s situation in the film was arrived at too quickly and thus some suspense was lost, but I feel that the film sacrificed some gimmicks in order to entertain the themes that the movie presents. 

I will tell you to go see this film, but not to have extrodianrily high expectations.  It is classified as “hard science fiction” which can be hit or miss depending on your mood.  However, I do think that you will be surprised and ultimately satisfied after watching the film.  A strong “A” from me and I hope to see more risky fare like this from the studios.