Avatar

I was extraordinarily excited for James Cameron’s return to directing.  Many people don’t understand what it was to have Titanic under your belt–for the rest of his career he will always be compared to the highest grossing film of all time.  Can you say, “High expectations?”  That said, I wanted to enjoy the film for what it was and not think too much about whether or not Cameron had the Midas Touch.  But judging by the recent box office, he is on his way for more than just a mediocre hit.   

What’s good about it:  If you want to know what a visually stunning film is, then look no further than Avatar.  Cameron is right; 3D is the wave of the future for film.  He created a whole world with Pandora and the Navi were always fascinating.  I did not feel that we were looking at a film in which the director just wanted to see how many special effects he could do; everything served the story.  Sam Worthington did a fine job and the supporting cast made the cliché characters seem realistic for the scenario.  What I really loved was that they were always ‘doing’ something, there was never a long, drawn out explanation or brooding scene–we learned by having the main character experience the world around him.  The 3 hours flew by and it was lots of fun to watch.

What’s not so good:  Cameron is formulaic.  You know how the story goes way before you get in the theater.   I am telling everyone that it is DANCES WITH WOLVES in space.  Don’t get me wrong, Cameron knows what type of story he wants to tell and he tells it well, but the screenplay is extraordinarily predictable.  I have heard that people think this film is only for the tree-huggers and environmentalists.  I disagree except for one point: everything that the humans did was bad and everything that the Navi did was good.  Sure there were scientists trying to fight the machine–but ultimately, HUMANS=BAD.  So if there was a “message” to the film then I don’t think it is clear, because the world of the Navi seemed too perfect and I just felt like being a human sucked.

If you want to see a film in theaters it has to be Avatar.  It is a cinematic experience (with a slight headache from the 3D, but who cares).  Let this be a lesson to all the Transformers, GI JOE’S, Star Wars, National Treasures, Spiderman’s, and X-Men out there…you can have a special effects movie that actually is good.  Remember, the characters matter, every shot matters, words matter, and plot matters…there, now I’m done.  A-

Inglourious Basterds

Hey everyone, I apologize for the departure, but work before the break was taxing.  Now as a reward for surviving until Christmas, here are some new reviews to ring in the new year.  I am going to for go a synopsis–if you want to know what it is about=see it or wikipedia it. First Inglourious Basterds…

What’s good about it:  I have to give props to Quentin for once again being original.  This is a Tarintino film in that it steals something from every war film you have ever seen and rehashes it in a brand new way.  This works cinematically, we are drawn in by the familiar concept but then awed by the new direction it takes.  The acting is stellar–I agree with most of the critics with their praise of Christoph Waltz as the villain.  Costumes reflected that care and effort were poured into them and many of the locations were equally impressive.  The script was tightly written (Tarintino has a knack for dialogue that every screenwriter should learn from); it was dark but funny at times.  It is a grand effort and undertaking and ultimately an enjoyable film.

What’s not so good:  I felt that there were some Tarintino-isms that were pushed into the film mainly to show the audience who was directing the film.  He used quick flashbacks, title names under a character, and music choices that screamed his name.  While they served projects like KILL BILL, I felt like they were only thrown in to make us aware that we were watching a Tarintino movie.  They praised the director for being so brave to change the historical ending, but I kept thinking–”big whoop”.  I never got to know any of the characters well enough to care who dies and who lives.  The ones that had the most promise were killed the fastest.  I never related to anyone I just watched a violence fest.  Tarintino can write great scenes, but sometimes his movies suffer holistically.  I loved the scene in the bar with the German officer figuring out if the men are American spies, but looking back I wished that I would have cared more for the characters in that scene.  To me all the soldiers were interchangeable and whoever died was of no consequence to anybody. 

This is a fun watch and a great movie to study scenes, but I do not join in with everyone in thinking that this is a great Tarintino film; it’s just okay.  I think he was just trying to make a cool movie, and he did–just not his best. B-

District 9 (2009)

Wow.  I was very interested in this film well before I sat down in the movie theater.  I have to give the marketing guys props for this because it was one of the best ad campaigns for a film I have seen in a long time.  District 9 is a fascinating film about aliens that are attempting to co-exist with humans in a dingy and unforgiving world.  Wikus Van De Merwe (newcomer Sharlto Copley) becomes our eyes and ears as he becomes more and more sympathetic to the aliens plight.

What’s good about it–Fantastic visual effects; it does what they should and they add to the movie and they do not BECOME the movie.  Filmed in Johannesburg, the cameramen went down and dirty and went for guerrilla filmmaking which gives the film a raw and grizzly feel.   The story is original and very compelling.  It was filmed in a very documentary style and you fall right into the world that the filmmakers created.  I was fascinated and I had no idea where the film was going to take me.  And I was moved too!  The film had something to tell me and I was angered by the aliens and by the humans.  It turned the camera around on us and made us think.  The acting was very good and I felt a connection with Wikus as his eyes were slowly opened to a different perspective.  You feel something and you want to do something after you see the film and that is a difficult artistic achievement. 

What’s not so good–Make no bones about it, this is an action movie.  For me the third act was a little bit of a let down as far as the story goes.  It became extremely violent (we even had our summer movie giant killer robot at the end).  It reminded me that I was not watching a message film with action, but an action film with a message.  Not really a critique, just know what movie you are watching…it will help.  There are a lot of questions left unanswered, but the answers are not easy ones to find (especially if you parallell it’s message with our world today).  It can be messy and a tough ride, but hang on because it is worth it.

I will want to watch this film again, and I wonder if a sequel might be in the future.  It doesn’t have to be, but the story certainly could go on.  I would highly recommend seeing this film, but bring your trash bags in case blood splatters on your shirt.  A-

(500) Days of summer (2009)

I often feel my film standards are set too high.  I cringe at little things that others omit from there memories and I praise the smallest camera trick that is barely noticeable.  However, I feel this film is a nice blend–audience appeal and good filmmaking.  Tom Hansen (Joseph Gordon-Levitt) recounts his relationship with Summer (Zooey Deschanel) in sporadic, non-linear fashion.  It is both hilarious and touching to watch the results of two people sharing so much of their lives together to ultimately not be compatible.

What’s good about it–Everyone will connect with this film.  Everyone has felt this kind of pain/happiness and there is no great leap to relate.  The performances are understated and natural with no sign of a “cheeky romantic comedy wink”.  The film uses Tom’s memories to it’s advantage and spreads it’s wings to create a strong narrative that does not seem cliche.  I laughed out loud several times and that is not an easy thing for a movie to do for a tight-wad like me. 

What’s not so good–It may profess to not be a romantic comedy, but ultimately, the film is a indie romantic comedy.  You have the depressed male hero meeting the overly eccentric female who opens his world to knew ideas yet the world is not as picture perfect as idealized.  It follows the indie film formula, so the overall message is not necessarily new (which I am okay with).  I found the film far more accessible than most indie films and for that I applaud it.  But I was more satisfied watching ANNIE HALL then this one. 

This is a fine film!  I recommend it to all my friends (moviewatchers and novices alike).  There is something to be mined for everyone.  Very creative and a lot of fun

Rating=B

The Brothers Bloom (2009)

The director of THE BROTHERS BLOOM is what initially attracted me to this film. Rian Johnson created BRICK back in 2005 which was a film noir favorite of mine.  He has returned (with a bit more of a budget this time) to create a fun heist movie with Adrian Brody and Mark Ruffalo as sibling con-men.  They hatch a scheme to swindle a billion dollar heiress (Rachel Weisz) yet through the course of there adventure, Brody inevitably falls in love with her.  However, they all have crafted a web of lies that has become too tangled to get out easily.  We are left wondering what is true and what is false just as much as the characters. 

What is good about it:  It is fun.  The art direction and costuming present us with a world that is closer to fairytale than real life.  There is always a hint that we should not take the story too seriously, just as we should never truly trust what Ruffalo says.  The story is character driven and we are intent on finding out what choices will lead them to happiness.  Adrian Brody has the unique ability to be so sympathetic yet never rolling over into cliche.  And Rachel Weisz is quirky, fun, and she exercises impressive comedic chops.  

What’s not so good:  Like most con-movies, it can be confusing.  I was a little lost on where the plot was leading at times, but luckily the characters were interesting enough that I didn’t mind.  I think the film avoided cliche so much that it could have actually benefited from a car chase or two.  Just something to help us spring board into the next step of the plot with more energy.  The film meandered about but ultimately the story is not about the heist, but about the brothers (and the title is still confusing to me…their names are Steve and Bloom.  So perhaps it is meant to say the brothers “bloom”). 

This is a great movie to see with friends or on a date.  The comedy is hilarious and the relationships are touching.  You want to go wherever the movie takes you.  A solid “B+”.

Moon (2009)

Most films that are released in the summer months are box office dynamite–in that they draw in audiences.  After watching a few of what Hollywood had to offer, I felt a sharp ache in my heart for something deeper.  I realized that ultimately the spectacle of Wolverine, Terminator, and Transformers was a drug that provided little sustenance.  I therefore went to the indie theater, and my money now goes toward tickets for the underground favorites.  I feel like I am giving my lunch money to a small, intelligent dork with a lot of potential instead of the flashy, popular class bully that everyone ultimately dislikes.  So may I introduce you to MOON.  Sam Bell (Sam Rockwell) is completing his 3 year mission on the moon mining for precious minerals to sustain life on Earth.  He is alone, aside from his computer companion GERTY (in the spirit of HAL 9000–and voiced by Kevin Spacey).  All he wants is to return home to his wife and child, but his mind is finally reaching a breaking point on the empty lunar surface.  Then something happens (as it always does in science fiction).  Sam is injured and is rescued by…himself.

What is good about it:  I saw the trailer and immediately looked to find where the nearest theater would be playing it.  It was a brilliant movie and completely absorbing.  Sam Rockwell is–as always–dynamite and fascinating to watch.  The film was shot with a budget of $5 million, using models and in camera effects.  The result is authentic and organic, and I believe more films would do well to follow the “less is more” approach to effects work.  The story is not terribly complex, and it leaves room for interpretation which I believe will reach movie-goers who do not directly gravitate to sci-fi.  I truly enjoyed the experience.

What is not so good:  It is a slow film.  Let’s be honest, we have one actor and one location–so anyone expecting a fast action should keep away.  It is cerebral and introspective which again is a hard sell for audiences.  It demands something more from a viewer that requires us to engage the material, and so it won’t always work for everyone.  I felt the explanation for Sam’s situation in the film was arrived at too quickly and thus some suspense was lost, but I feel that the film sacrificed some gimmicks in order to entertain the themes that the movie presents. 

I will tell you to go see this film, but not to have extrodianrily high expectations.  It is classified as “hard science fiction” which can be hit or miss depending on your mood.  However, I do think that you will be surprised and ultimately satisfied after watching the film.  A strong “A” from me and I hope to see more risky fare like this from the studios.

Seriously, do we see any similarities in these two promotional posters?

X-Men Origins: Wolverine

Hey everyone, finally I will interject a review in the middle of the Friday the 13th marathon.  I break the silence with X-Men Origins: Wolverine.  We get the back story from everyone’s favorite X-man.  We discover what tortuous past leads Logan to inject indestructible metal into his bones and become Wolverine.  He must battle the government, his arch-nemesis Sabertooth (brilliantly casted with Liev Schreiber) and mingle with many-a-mutant.  Forewarning, there will be spoilers if you keep reading…

What’s good about it…

All the action you could want from a superhero movie: lots of cool fights and lots of shout outs to the fans.  This is really a fan movie; I mean, we finally get Gambit and even though he was a little silly–I finally got to see his STAFF SLAM ATTACK!  The real story though comes with Sabertooth and Wolverine…that is probably the weightiest part of the film and what I was most interested in.  I also loved seeing Wolverine with the team of mutants that Stryker teamed up (harkening to the teams we have seen in the other films). We see some favorites like Blob, Bolt, Deadpool, Cyclops, and many others.  It redeems somewhat the time I wasted with X-men 3. 

What is not so good…

If you are not  an X-men fan, then this will seem as a sloppy film.  It interjects so many fights that it really gets more repetitive than exciting.  The story is far too complicated (his girl is killed, then not killed, then working for the enemy, then back with Wolverine, then killed again).  The story is with Sabertooth and Wolverine…that is where it should have stayed; forget this weird Deadpool mutant hybrid storyline.  They really don’t even explore Wolverine as Weapon X–which is why he cannot remember anything (not because of a stupid adimantium bullet lobotomy…that was really lame).  They could have done fine making this a Weapon X story, but it was more of a Wolverine story. 

I give it a C-.  There are several reasons why this isn’t a spectacular movie.  They toned down the really intense stuff (it’s PG-13), they spent too much time trying to give fans what they wanted, and Hugh Jackman produced.  But they at least created a story that was true to the characters and that seemed to add to the other X-men films without repeating too much or killing off beloved characters.  My biggest critique about X-men films is that it should always be about the team, and not about the individual–but alas, I still enjoyed this film.

friday the 13th retrospective: part 8 jason takes manhattan

This is the low point of the series, but I told you that I would watch all these, so here I am. I’m doing this so you don’t have to. That said, here we go!

It’s graduation time. A local group of high school students are planning a trip to Manhattan, The Big Apple. Lucky for us, two of the graduates decide to take a houseboat from Crystal Lake to the spot where the boat is leaving. Again, lucky for us, they drop their anchor to have sex.  Their anchor gets stuck on a large power line that just so happens to have been laid over Jason’s body. So as the boat pulls on the anchor the line breaks and jolts Jason back to his old self. He disposes of them and rides the boat to the same dock where the rest of their classmates will soon be leaving. Jason “hops” on the boat and away we go!

There are a couple of main characters that the “story” revolves around, but who cares. This is another one where you just want Jason to kill all the characters off. There isn’t anything new here. A couple of people make it to Manhattan and Jason chases them there. It ends in the sewers where they catch Jason with a nightly toxic flush. When it’s over he is left there as a boy crying on the ground.

Part 8 doesn’t do it for me. They try to make Jason funny at points, but its not. If you are looking for more Jason kills then you might enjoy it, but if there is one movie you have to skip, this is the one.

Rating: 1 Machete (No, it doesn’t even deserve any blood)
Body Bags Needed: 19
Non-Jason Kills: 2
Survivor(s): Rennie and Sean

friday the 13th retrospective: part 7

In case you missed them: retrospective intro, part 1, Part 2, part3, part 4, part 5, part 6

For anyone who hoped that after the sixth movie they would really try harder to make a decent movie, I’m sorry. Notice I didn’t say good movie, but decent (I’m willing to be realistic).

I’m not really sure what they where thinking at this point. The plot revolves around Tina. She has telekinetic powers (I know, I don’t get it either). Her parents have a cabin at Crystal Lake. As a child, she saw her father hit her mom and was so pissed that she took a boat to the middle of the lake. Her father came after standing on the dock, but this just escalated her anger. While her father was on the dock, her fury unlocked her telekinetic powers, destroying the dock and drowning her father.

Now as a teenager, her doctor takes her back to the cabin to face her fears, but all the doctor wants to do is study her powers. Frustrated, she goes to the lake to use her skill in hopes of bringing back her father. Guess what happens instead? She brings Jason back instead. Again, there are some teenagers in a nearby cabin for Jason to kill, and he does so.

This also marks the first of four times Kane Hodder plays Jason. I’m not a fan of his Jason. People say that he brought personality to the role. But I don’t think that turning his head quickly compared to his slow moving body is much of a personality. All Jason needs to do is look big and beat the crap out of people, period.

Back to the story, Jason has a bazillion fake deaths in this movie and it is more annoying than Tina’s freakouts. So finally, they are back at the lake and Tina summons her father from the dead and he pulls Jason back down with him. The end.

Rating: 1 Bloody Machete
Body Bags Needed: 16
Non-Jason Kills: 1
Survivor(s): Tina and Nick